DJ Simpson

bibliography

• biography
• bibliography
• past exhibition images
• images

DJ Simpson

Publications / Projects / Catalogues

• 2008
  • DJ Simpson, Art World, Issue 8, December 2008 / January 2009
  • Superstratum, Koraalberg Contemporary Art, Antwerpen, 2008
  • Plasticismes – pràctiques abstractes avui, „SA NOSTRA“ Caixa de Balears, 2008

• 2007
  • Echo Room – Art from Britain, Consejería de Cultura y Deportes and British Council, London / Alcala 31, Madrid 2007
  • Draw, Conversations around the legacy of drawing, Middlesbrough Institution of Modern Art, 2007

• 2006
  • DJ Simpson: Selected Works 2000 — 5, Warwick Arts Center, Coventry, 2006
  • floating forms, abstract art now, cat., Wilhelm-Hack-Museum, Ludwigshafen, 2006

• 2005
  • The Nature of Things, by Birmingham Museums and Art Galleries
  • Zeigen, Audiotour by Karin Sauder through the Collection of Helga de Alvear, CD, 2005

• 2004
  • Britannia, Works, cat. Ileana Tounta Contemporary Art Centre, Xippas Gallery, the Breeder, Athen, 2004
  • Freefall, cat. ACE, 2004
  • Transmmisions, Print Portfolio (1×25), 2004

• 2003
  • Transmmisions, Artist’s in Conversation, Book, 2003
  • New Abstract Painting—Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, 2003
  • Sammlung Melitta, cat. Minden, 2003

• 2002
  • Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im Ausstellungsraum Münster, 2002
  • Painting as a Foreign Language, Edificio Cultura Inglesa/Centro Brasileiro Britânico, 2002
  • Site 6, Haus Am Meer, Limited Edition (1×25), 2002
  • Een Collectie/A Collection, cat. 2002
  • Shine, cat. The Lowry, Salford, 2002

• 2001
  • Tailsliding, cat. Contemporary Art Center, Vilnius, 2001
  • Open Plan, cat. Alpha delta Gallery, Artio Gallery, Athens, 2001
  • Eyestorm, Edition (5×25), 2001
  • New Labour, cat. Saatchi Gallery London, 2001
  • Beck’s Futures 2, cat. ICA – Institute of Contemporary Arts London, 2001

• 2000
  • British Art Pt 2, cat. 2000
  • Everything Magazine, No. 3.3, Artist Project, 2000

• 1999
  • Formerly, cat. Jerwood Gallery, London, 1999
  • Elastic Abstract, Spacex Gallery, Exeter, 1999
  • New Contemporaries, cat. Liverpool Biennial, Beaconsfield, London, 1999
  • Zauberhaft, (with David Burrows), cat. Büro für Kunst, Brose Eiermann, Dresden, 1999

• 1998
  • cat. Proposition Gallery, New York, 1998
  • Unit, cat. 1998

Articles

• 2005
  • Guía de Madrid, in: ABC, Madrid, p. 55, 9-15 December 2005
  • Carlota de Alfonso, in: El Punto de las Artes, No. 809, p. 6, 9-15, Madrid, December 2005
  • Abel H. Pozuelo: El Cultural, El Mundo, Madrid, p. 40, 22 December 2005
  • Top 5, in: The Guide, The Guardian 14 May 2005
  • Fisun Güner: Review, in: Metro, April 2005
  • Laura Cumming: Tales from the Shanty Town, in: Observer, 27 March 2005
  • Editorial Architecture and Urbanism: Vital Arts, in: Art and Architecture Journal, February 2005
  • James Parker: The Art of Caring, in: HD Magazine, January 2005

• 2004
  • Barrie Evans: Millstone to Milestone, in: The Architects Journal, 11 November 2004
  • Gareth Gardner: Art for Bart’s Sake, in: Project of the Month, FX Magazine, November 2004
  • Tina Sotirandi: Britannia Works, in: Time Out (Athens), 20-27 May 2004
  • Barts: Artnotes, in: Art Monthly No. 279, September 2004
  • Maey Kennedy, in: The Guardian, 27 September 2004
  • Henrietta Thompson: Bart’s New Art, in: Blueprint No. 224, October 2004
  • Edgar Schmitz:…und dann immer weiter, in: Kunstforum International No. 171, July/August 2004
  • Robert Garnett: Dat Meen Je Niet (You Can’t Be Serious): On The Ethics & Politics of Humor In Contemporary Art, in: Metropolis M (Amsterdam) No. 3, Juni/Juli 2004

• 2003
  • Sally O’Reilly: 15/1, in: Art Monthly No. 269, 2003
  • Mick Finch: The Nightshift, in: Contemporary, No. 58, 2003
  • Nicholas Chambers: review of Sample Scatter Synthesis (Amplified), in: Broadsheet, 2003
  • Anne Loxley: review of Sample Scatter Synthesis (Amplified), in: Sydney Morning Herald, 2003
  • Sotiris Kyriacou: New Abstract Painting. Previews, in: Contemporary No. 52, 2003
  • Kultur Szene Lev, Abstraktion in der neuen Kunst, in: Rheinische Post, 2003
  • Neue abstrakte Malerei in Leverkusen, in: Welt am Sonntag July 20th 2003
  • Claudia Posca: Doch, ach die Bilder blieben, in: NRZ 24 June 2003
  • Matthias Weiss: Verletzte Bild-Haut, in: Westfälischer Anzeiger August 7th 2003

• 2002
  • Lisa Lefeuvre: The W-hole Story—on Gordon Matta-Clark, in: Art Monthly No. 255, 2002
  • Suhail Malik: Painting As Contemporary Art, in: Painting as a Foreign Language, Edificio Cultura
  • Inglesa/Centro Brasileiro Britânico, 2002
  • Phil Griffin: Hang The DJ, in: City Life, September 2002
  • Robert Garnett: ExCentric Abstraction, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei
  • XIV im Ausstellungsraum Münster, 2002
  • Gail B. Kirkpatrick: Malerei Pur, in: Dj Simpson, ExCentric Abstraction, cat. Positionen zur Malerei XIV im
  • Ausstellungsraum Münster, 2002
  • Tineke Rijenders: Routerman_, in: kM (Amsterdam), Najaar No. 43, 2002

• 2001
  • de Cruz, Gemma / Ellis, Patricia: Aperto London, in: Flash Art, October 2001
  • Kent, Sarah: Review New Labour, in: Time Out, London May 8th 2001
  • Louisa Buck: Moving Targets 2, 2001
  • Alex Coles: review, in Artext No. 75, January 2001
  • Bergens Tidende: Tailsliding, in: Sissel Dagsland, October 12th 2001
  • Jonathan Jones: If I Had a Hammer…..New Labour Show, in: The Guardian, May 5th 2001
  • Richard Dorment: New Labour, in: The Art Newspaper, May 2001
  • Patricia Ellis: New Labour, cat. Saatchi Gallery, London, 2001
  • Matt Collings: Beck’s Futures_, cat. ICA Institute of Contemporary Arts London, 2001
  • Matt Collings: Art Crazy Nation, No. 21, 2001
  • Beech, David / Chilver, John: Becks Futures, cat., ICA Institute of Contemporary Arts London, 2001
  • James Hyde: Review, in: Art in America, USA, February 2001
  • Niru Ratnam: The Face, London, March 2001
  • Lucy Spriggs,: Beck’s Futures, in: Art Review, London, April 2001
  • Profile, Beck’s Futures, in: Dazed & Confused, London, April 2001
  • Adrian Searle: Review, Beck’s Futures, in: The Guardian, 3 April, London, 2001
  • Martin Coomer: Preview, Beck’s Futures, in: Time Out, London, March 28th—April 4th 2001
  • Laura Cumming: Review, Beck’s Futures, in: The Observer, London April 1st 2001
  • Richard Dorment: Review, Beck’s Futures, in: The Daily Telegraph, London April 4th 2001
  • Nick Hackworth: Review, Beck’s Futures, in: Evening Standard, London April 5th 2001

• 2000
  • Sarah Kent: DJ Simpson, Review, in: Time Out, London, February 9th—17th 2000
  • Hellen Sumpter: Shortlist – Big Issue, London, 14-20 February 2000
  • Fisun Güner: Review, in: What’s On, London, 16-23 February 2000
  • Niru Ratnam: Tool Intentions, in: The Face, London, March 2000
  • Louisa Buck: Simpson’s boundaries, in: Art Newspaper, London, February 2000
  • Jonathan Jones: Exhibitions, in: The Guardian Guide, London, 3 February 2000
  • Angela Lubrano: Last Chance—Evening, in: Standard, London, 28 February 2000
    David Burrows: Abstract Art, in: Art Monthly, London, March 2000
  • JJ Charlesworth: Review, The Raft, in: Art Monthly, London, March 2000
  • Michael Archer: Review, in: Artforum, New York, March 2000
  • Mark Godfrey: Review, in: Contemporary Visual Arts, London, March 2000
  • Stuart Shave in: I-D, London, May 2000

• 1999
  • Martin Herbert: Formerly, in: Jerwood Gallery, London 1999
  • Thomas Trevor: Elastic Abstract, Spacex Gallery, Exeter, 1999
  • Martin Coomber: Wild Life, Review, in: Time Out, London, October 6th—13th 1999
  • Stuart Shave: Formerly, Review, in: I-D, London, No.188, 1999
  • Shahin Afrassiabi: DJ Simpson, Review, in: Flash Art, Milan, No. 206, 1999
  • John Tozer: Cluster Bomb, Review, in: Art Monthly, London, No. 224, 1999
  • Mark Currah: Formerly, Review, in: Time Out, June 30th—July 7th 1999
  • Michael Archer: Heart and Soul, Review, in: Artforum, New York November 1999
  • Louisa Buck: Elastic Abstract, in: Art Newspaper, London, June 1999
  • Hannah Wingrave: Elastic Abstract, in: Flash Art, Vol XXXII, No. 208, October 1999
  • Richard Reynolds: Elastic Abstract, in: Exeter Flying Post, No. 241, October 1999
  • Deborah Robinson: Elastic Abstract, in: Artist Newsletter, November 1999

© Sies + Höke 2012